February 21 (7:30pm EST)
March 21 (7:30pm EST)
April 26 (3pm EST)
Debuted October 21 (7pm EST)
Debuted December 9 (7pm EST)
Debuts January 18 (7pm EST)
Debuts January 27 (7pm EST)
Debuts April 7 (7pm EST)
Debuts May 26 (7pm EST)
Debuts June 23 (7pm EST)
Debuts July 21 (7pm EST)
Music Director Franz Welser-Möst leads The Cleveland Orchestra in a poignant program pairing Krenek’s "Kleine Symphonie" with Mahler’s unfinished Adagio from Symphony No. 10, reflecting on art born of upheaval and the eloquence of the incomplete.
Baritone Simon Keenlyside joins Franz Welser-Möst and The Cleveland Orchestra for select songs and the Seventh Symphony by Mahler — recorded live at the Vienna Konzerthaus.
Music Director Franz Welser‑Möst and The Cleveland Orchestra thread two of Bartók’s demanding visions into one emotionally-charged arc.
Pianist Garrick Ohlsson brings his elegant artistry to Mozart’s intimate and lyrical Piano Concerto No. 27, joining Franz Welser-Möst and The Cleveland Orchestra for the composer’s final work in the genre.
Tchaikovsky, who considered Ukraine a second home, composed his joyful Second Symphony near Kyiv, incorporating Ukrainian folk songs. Paired with it is Mozart’s Symphony No. 29, conducted by Franz Welser-Möst.
Immerse yourself in the creative world of Thomas Adès as we visit the celebrated artist in his sunny Los Angeles studio, followed by a varied program of works by Sibelius and Adès himself.
Moving listeners through memory, love, loneliness, triumph, and surrender, the singular artist Barbara Hannigan conducts The Cleveland Orchestra in works by Haydn, Vivier, Ligeti, and Richard Strauss.
Enticed by the opportunity to view Gustav Mahler’s complete, handwritten score of the monumental Second Symphony, conductor Daniel Harding took a short stroll from Severance Music Center to the Cleveland Museum of Art, where the manuscript is on loan from The Cleveland Orchestra.
In this digital production, Music Director Franz Welser-Möst discusses the importance and evolution of the Cleveland Sound under his 22-year tenure. Following an impassioned performance of Richard Strauss’s Metamorphosen, take a tour behind the scenes with The Cleveland Orchestra Chorus as it prepares to perform one of the most powerful works of all time — Mozart’s Requiem.
"Can You See?," an evocative new work by Allison Loggins-Hull, and Barber’s technically demanding and infinitely rewarding cello concerto, performed by the virtuosic Alisa Weilerstein, take center stage in this captivating program, conducted by Music Director Franz Welser-Möst with the Cleveland Orchestra.
Louise Farrenc’s Symphony No. 3 (1847) and Mussorgsky’s Pictures at an Exhibition propel Music Director Franz Welser-Möst and his Cleveland Orchestra on a joyful journey of discovery, as they perform a neglected piece by a woman composer whose work is now coming into prominence, and a warhorse that the Maestro leads for the very first time in his career.
The 1920s, the so-called "Roaring Twenties," unfurled as an explosion of ideas that reshaped the social fabric, political landscape, artistic expression, and scientific frontiers.
An artist whose work has been extensively documented, Franz Welser-Möst offers reflections on recorded and live music, tracing its impact on his formative years as a young conductor.
Virtuoso percussionist Christoph Sietzen joins Music Director Franz Welser-Möst and The Cleveland Orchestra for the world premiere of Johannes Maria Staud’s percussion concerto "Whereas the Reality Trembles," featuring a sonic world created by traditional percussion blended with flower pots and oil cans, and oversized blocks of wood and large metal sheets.
Both conductor Franz Welser-Möst and composer Anton Bruckner began their creative journeys in Upper Austria, where rolling hills, deep-rooted Catholic faith, and the resilient spirit of its people provided the fertile ground for their artistic evolutions. Those kindred spirits come together in The Cleveland Orchestra's vividly textured reading of Bruckner’s Fourth Symphony.
Dvořák traveled to America in the 1890s, and this wild, new country thrilled him. He admired the beauty of African American spirituals and was fascinated by Native American traditions.
Franz Welser-Möst believes in approaching music with “open ears,” especially in a piece as rich with extra-musical context as Strauss's very personal Ein Heldenleben (“A Hero's Life”).
Franz Welser-Möst takes a walk through his Vienna, bringing us insight into a world music capital that was home to both of the featured composers on this Adella Premium program.
As Franz Welser-Möst’s conducts its namesake Symphony, Mozart Symphony No. 36 ("Linz"), he shares his history with the venerable Austrian city.
Light, shade, and color play an integral role in this luminously French program of Lili Boulanger, Claude Debussy, and Korean composer Unsuk Chin.
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