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About the 2026 Festival

Courage

Expanding on The Cleveland Orchestra and Music Director Franz Welser-Möst’s tradition of innovative opera presentations, the Orchestra launched the Jack, Joseph and Morton Mandel Opera & Humanities Festival in May 2023. The festival’s inaugural edition was praised by The New York Times as a “compelling proof of concept” and “an ambitious achievement.”

The 2026 installment, curated by Terence Blanchard and centered around the theme of “Courage,” marks the festival’s fourth edition, following “The American Dream” in 2023 (Puccini’s The Girl of the Golden West), “Power” in 2024 (Mozart’s The Magic Flute), and “Reconciliation” in 2025 (Janáček’s Jenůfa).

The 2026 Mandel Opera & Humanities Festival is about courage, the courage to speak your mind, the courage to be able to listen and truly hear, the courage to allow all of us to have a voice and come together as a community should. I'm excited to be this year’s Festival Curator because it's going to give us an opportunity to use various musical experiences to find the commonality of who we are as human beings, who we need to be moving forward, and how we can remind ourselves of our own humanity.

—Terence Blanchard

Performing Artists

Cast

Malin Byström

Malin Byström

Leonore

soprano

David Butt Philip

David Butt Philip

Florestan

tenor

Tomasz Konieczny

Tomasz Konieczny

Don Pizarro

bass-baritone

Martin Summer

Martin Summer

Rocco

bass

Ashley Emerson

Ashley Emerson

Marzelline

soprano

Owen McCausland

Owen McCausland

Jaquino

tenor

The Cleveland Orchestra

The Cleveland Orchestra, under the leadership of Franz Welser-Möst since 2002, is one of the most sought-after performing ensembles in the world. Year after year, the ensemble exemplifies extraordinary artistic excellence, creative programming, and community engagement. In recent years, The New York Times has called Cleveland “the best in America” for its virtuosity, elegance of sound, variety of color, and chamber-like musical cohesion.

Founded by Adella Prentiss Hughes, the Orchestra performed its inaugural concert in December 1918. By the middle of the century, decades of growth and sustained support had turned the ensemble into one of the most admired around the world.

The past decade has seen an increasing number of young people attending concerts, bringing fresh attention to The Cleveland Orchestra’s legendary sound and committed programming. More recently, the Orchestra launched several bold digital projects, including the streaming platform Adella.live and its own recording label. Together, they have captured the Orchestra’s unique artistry and the musical achievements of the Welser-Möst and Cleveland Orchestra partnership. 

The 2025–26 season marks Franz Welser-Möst’s 24th year as Music Director, a period in which The Cleveland Orchestra has earned unprecedented acclaim around the world, including a series of residencies at the Musikverein in Vienna, the first of its kind by an American orchestra, and a number of celebrated opera presentations.

Since 1918, seven music directors — Nikolai Sokoloff, Artur Rodziński, Erich Leinsdorf, George Szell, Lorin Maazel, Christoph von Dohnányi, and Franz Welser-Möst — have guided and shaped the ensemble’s growth and sound. Through concerts at home and on tour, broadcasts, and a catalog of acclaimed recordings, The Cleveland Orchestra is heard today by a growing group of fans around the world.

Franz Welser-Möst conducts The Cleveland Orchestra

Franz Welser-Möst

Now in his 24th season, Franz Welser-Möst continues to shape an unmistakable sound culture as Music Director of The Cleveland Orchestra. Under his leadership, the Orchestra has earned repeated international acclaim for its musical excellence, reaffirmed its strong commitment to new music, and brought opera back to the stage of Severance Music Center. In recent years, the Orchestra also launched its own streaming platform, Adella.live, and a recording label. Today, it boasts one of the youngest audiences in the United States.

In addition to residencies in the US and Europe, Welser-Möst and the Orchestra perform regularly at the world’s leading international festivals. Welser-Möst will remain Music Director until 2027, making him the longest-serving music director of The Cleveland Orchestra.

Welser-Möst enjoys a particularly close and productive artistic partnership with the Vienna Philharmonic. He regularly conducts the orchestra in subscription concerts at the Vienna Musikverein, at the Salzburg Festival, and on tour in Europe, Japan, China, and the US, and has appeared three times on the podium for their celebrated New Year’s Concert (2011, 2013, and 2023). At the Salzburg Festival, Welser- Möst has set new standards in interpretation as an opera conductor, with a special focus on the operas of Richard Strauss.

Among Welser-Möst’s many honors and awards, he was named an Honorary Member of the Vienna Philharmonic in 2024, one of the orchestra’s highest distinctions.

Franz Welser Möst

Dashon Burton

Don Fernando

Bass-baritone Dashon Burton’s 2025–26 season highlights include Beethoven’s Ninth Symphony and Fidelio with The Cleveland Orchestra, Mahler’s Songs of a Wayfarer with the New Jersey Symphony, Britten’s War Requiem with the Erie Philharmonic, and Handel’s Messiah at Augustana College. He also appears in recital at The Phillips Collection in Washington, DC.

A three-time Grammy Award winner, Burton earned Best Classical Solo Vocal Album in 2021 for Ethyl Smyth’s The Prison with the Experiential Orchestra, and has twice won with the vocal ensemble Roomful of Teeth, of which he is a founding member. His discography also includes Songs of Struggle & Redemption: We Shall Overcome, Paul Moravec’s Sanctuary Road, and Caroline Shaw’s The Listeners with Philharmonia Baroque Orchestra.

Burton holds degrees from Oberlin College and Conservatory and Yale University’s Institute of Sacred Music. He is assistant professor of voice at Vanderbilt University’s Blair School of Music.

Dasha Burton standing near brick wall

The Cleveland Orchestra Chorus

Now in its 74th season, The Cleveland Orchestra Chorus is celebrated for its versatility and refined musicianship, appearing regularly with The Cleveland Orchestra at Severance and Blossom Music Center. As one of the few all-volunteer, professionally trained choruses affiliated with a major American orchestra, it received the 2019–20 Distinguished Service Award, recognizing extraordinary service to the Orchestra. 

Visit cochorus.com for more information on the Chorus and auditions. 

Chorus members singing
With

Gratitude

The Cleveland Orchestra’s 2026 Mandel Opera & Humanities Festival is supported by a historic grant by the Jack, Joseph and Morton Mandel Foundation.

We thank the following donors and members of the Opera Club for their support of the 2026 Mandel Opera & Humanities Festival:

Paul M. Angell Family Foundation

Ms. Viia R. Beechler

Mel Berger and Jane Haylor

Robin Dunn Blossom

Mitchell and Caroline Borrow

David and Julie Borsani, in memory of Marissa I. Borsani

Drs. Wuu-Shung and Amy Chuang

Ted and Donna Connolly

Judith and George W. Diehl

Tamara Durn

Dagmar and Frederick Fellowes

Dr. Michael Frank and Patricia A.* Snyder

JoAnn and Robert Glick

Agnes Gund*

Iris and Tom Harvie

Malcolm and Vivian Henoch

Robert and Linda Jenkins

Mr. and Mrs. Dennis W. LaBarre

Mrs. Susan D. LaPine

Jan R. Lewis

Dr. Alan and Mrs. Joni Lichtin

Ms. Cathy Lincoln

In honor of Emma Skoff Lincoln

Mr. and Mrs. Alex Machaskee

The Jack, Joseph and Morton Mandel Foundation

Ms. Nancy L. Meacham

Loretta J. Mester and George J. Mailath

Deborah L. Neale

Mr. and Mrs. Forrest A. Norman III

Mr. and Mrs. John Olejko

Mr. David A. Osage and Ms. Claudia C. Woods

Peter M. Padegimas, in memory of Beverly A. Padegimas

 David Reimer and Raffaele DiLallo

James and Marguerite Rigby

Mr. D. Keith* and Mrs. Margaret B. Robinson

Frank Rosenwein  

Richard B. and Cheryl A. Schmitz

Ms. Beverly J. Schneider

Astri Seidenfeld

Katie Shames

Drs. Charles Kent Smith and Patricia Moore Smith

Ms. Linda L. Wilmot

Tony and Diane Wynshaw-Boris  

Anonymous

 

The Cleveland Orchestra’s performances of Fidelio are generously sponsored by Jan R. Lewis.

Malin Byström’s performance is generously sponsored by Ms. Cathy Lincoln.

Miloš Repický, Repetiteur, is generously sponsored by Dr. Michael Frank and Patricia A.* Snyder.

Ashley Emerson's performance is generously sponsored by Jane Haylor and Mel Berger.

Trina Struble's performance is generously supported by The Jean, Harry, and Brenda Fuchs Family Foundation.

 

*Deceased