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About the Chorus

The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer choruses sponsored by a major American orchestra. In addition to performing with The Cleveland Orchestra in concerts at the Jack, Joseph, and Morton Mandel Concert Hall each season, the Chorus has appeared with the Orchestra on tour in Boston, Brussels, Edinburgh, Frankfurt,  London, Lucerne, Luxembourg, Miami, Paris, and New York, as well as on television and in numerous recordings. The Chorus has also toured on its own, either a cappella or with other ensembles, to the Casals Festival in San Juan, Puerto Rico; the Chautauqua Institution in New York; and to venues in England, Wales, Belgium, Netherlands, Luxembourg, and Germany.

Cleveland Orchestra Chorus members hail from nearly 50 northeast Ohio communities. Together, the group’s 130 members volunteer more than 30,000 hours annually, through rehearsals and performances. They also raise money for their tours through a variety of projects and events.

History

Today’s Cleveland Orchestra Chorus was first formed in 1952 at the request of Music Director George Szell. The Chorus celebrated its 60th anniversary during the 2012-13 season. As early as the Orchestra’s third season, in 1920-21, founding manager Adella Prentiss Hughes issued an invitation for Clevelanders to join a Cleveland Orchestra Chorus. It lasted less than a year, with subsequent Orchestra performances of choral works using choruses from local churches and colleges. Soon after Severance Hall opened in 1931, a second Cleveland Orchestra choral ensemble was established. Known as the Cleveland Philharmonic Chorus, it flourished for nearly a decade and provided the choral forces for the many staged operas presented under Music Director Artur Rodzinski’s direction.

Finally, the Orchestra’s fourth music director, George Szell (1946-70), initiated the creation of a permanent chorus to be affiliated with the Orchestra and made up of local singers admitted by audition. The Cleveland Orchestra Chorus began performing in 1952 and quickly proved its artistic worth. In 1956, Szell invited the young and nationally prominent choral conductor Robert Shaw to join the Orchestra’s conducting staff as associate conductor and chorus conductor, further solidifying the Chorus’s reputation for quality. The Cleveland Orchestra Chorus has maintained its position as a leading American orchestra chorus under the subsequent leadership of choral directors Clayton H. Krehbiel (1967-69), Margaret Hillis (1969-71), Robert Page (1971-89), Gareth Morrell (1989-98), Robert Porco (1998-2017), and Lisa Wong (2017 - present).

Auditions

Auditions for both the Cleveland Orchestra Chorus and Blossom Festival Chorus are held each spring.  For audition dates and requirements, send an email to chorus@clevelandorchestra.com, or visit here for current audition information.

Chorus Leadership

Daniel Singer headshot

Daniel Singer

Assistant Director

Daniel Overly

Daniel Overly

Collaborative Pianist

Lisa Wong

Director

Dr. Lisa Wong, a distinguished choral conductor and educator, serves as Director of Choruses for The Cleveland Orchestra. Her work has been described as “nuanced” (The New York Times) and “sensitive, yet powerful” (Cleveland Classical). She has prepared The Cleveland Orchestra Chorus and The Blossom Festival Chorus for acclaimed performances under conductors Franz Welser-Möst, Klaus Mäkelä, John Adams, Jane Glover, Susanna Mälkki, Eric Whitacre, and many others.

 

Lisa served for sixteen years as the Olive Williams Kettering Professor of Music at The College of Wooster. As Director of the award-winning Wooster Chorus, she elevated the ensemble to national prominence through annual domestic tours, performances at state and regional conferences, and the premiere performances of fifteen new works. Her expertise in music education is informed by thirty-two years of classroom experience and extensive work as a clinician, adjudicator, and guest conductor. She has successfully directed choirs at all levels, from elementary and secondary schools to universities and professional community organizations.

 

A sought-after leader in the field, Lisa has shared her expertise internationally through engagements in Kenya and Singapore. She has served numerous times as a grant panelist for the National Endowment for the Arts and Chorus America, and has presented at state and national conferences on varied topics including choral repertoire, rehearsal techniques, and women in leadership. She is beginning her term as President-Elect of the Ohio Choral Directors Association, and has served as the Repertoire and Resource Chair for World Music and Cultures and on the Committee for Diversity, Equity, and Inclusion for the Ohio Music Education Association.

 

With degrees from West Chester University and the Indiana University Jacobs School of Music, Lisa’s academic foundation is complemented by a rich career dedicated to inspiring and nurturing musicians of all ages. Her contributions to both the professional and academic spheres have significantly impacted the choral landscape.

Lisa Wong