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About the Chorus

The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer choruses sponsored by a major American orchestra. In addition to performing with The Cleveland Orchestra in concerts at the Jack, Joseph, and Morton Mandel Concert Hall each season, the Chorus has appeared with the Orchestra on tour in Boston, Brussels, Edinburgh, Frankfurt,  London, Lucerne, Luxembourg, Miami, Paris, and New York, as well as on television and in numerous recordings. The Chorus has also toured on its own, either a cappella or with other ensembles, to the Casals Festival in San Juan, Puerto Rico; the Chautauqua Institution in New York; and to venues in England, Wales, Belgium, Netherlands, Luxembourg, and Germany.

Cleveland Orchestra Chorus members hail from nearly 50 northeast Ohio communities. Together, the group’s 130 members volunteer more than 30,000 hours annually, through rehearsals and performances. They also raise money for their tours through a variety of projects and events.

History

Today’s Cleveland Orchestra Chorus was first formed in 1952 at the request of Music Director George Szell. The Chorus celebrated its 60th anniversary during the 2012-13 season. As early as the Orchestra’s third season, in 1920-21, founding manager Adella Prentiss Hughes issued an invitation for Clevelanders to join a Cleveland Orchestra Chorus. It lasted less than a year, with subsequent Orchestra performances of choral works using choruses from local churches and colleges. Soon after Severance Hall opened in 1931, a second Cleveland Orchestra choral ensemble was established. Known as the Cleveland Philharmonic Chorus, it flourished for nearly a decade and provided the choral forces for the many staged operas presented under Music Director Artur Rodzinski’s direction.

Finally, the Orchestra’s fourth music director, George Szell (1946-70), initiated the creation of a permanent chorus to be affiliated with the Orchestra and made up of local singers admitted by audition. The Cleveland Orchestra Chorus began performing in 1952 and quickly proved its artistic worth. In 1956, Szell invited the young and nationally prominent choral conductor Robert Shaw to join the Orchestra’s conducting staff as associate conductor and chorus conductor, further solidifying the Chorus’s reputation for quality. The Cleveland Orchestra Chorus has maintained its position as a leading American orchestra chorus under the subsequent leadership of choral directors Clayton H. Krehbiel (1967-69), Margaret Hillis (1969-71), Robert Page (1971-89), Gareth Morrell (1989-98), Robert Porco (1998-2017), and Lisa Wong (2017 - present).

Auditions

Auditions for both the Cleveland Orchestra Chorus and Blossom Festival Chorus are held each spring.  For audition dates and requirements, send an email to chorus@clevelandorchestra.com, or visit here for current audition information.

Chorus Leadership

Daniel Singer headshot

Daniel Singer

Assistant Director

Daniel Overly

Daniel Overly

Collaborative Pianist

Lisa Wong

Director

Lisa Wong was appointed director of choruses for The Cleveland Orchestra in May 2018, after serving as acting director throughout the 2017–18 season. She joined the choral staff of The Cleveland Orchestra as assistant director of choruses at the start of the 2010–11 season, helping to prepare The Cleveland Orchestra Chorus and Blossom Festival Chorus for performances each year. In 2012, she took on added responsibilities as director of The Cleveland Orchestra Youth Chorus.

In addition to her duties at Severance, Wong is a faculty member at The College of Wooster, where she conducts the award-winning Wooster Chorus and teaches courses in conducting and music education. Choirs under her direction have performed at the Central Division conference of the American Choral Directors Association and the state conference of the Ohio Music Education Association. Wong has served as the Repertoire and Resource Chair for World Music and Cultures for the Ohio Choral Directors Association, as well as on the editorial board regarding culturally responsive pedagogy for the Ohio Music Education Association. Her previous academic posts include positions in public and private schools in New York, Pennsylvania, and Indiana.

Active as a clinician, guest conductor, and adjudicator, Wong serves regularly as a music panelist for the National Endowment for the Arts and Chorus America. She holds a Bachelor of Science degree in music education from West Chester University, as well as Master of Music and Doctor of Music degrees in choral conducting from Indiana University.


Lisa Wong