Apr 29
May 1
May 2
Can't wait until August? Check out our subscription packages.
The Cleveland Orchestra, under the leadership of Franz Welser-Möst since 2002, is one of the most sought-after performing ensembles in the world. Year after year, the ensemble exemplifies extraordinary artistic excellence, creative programming, and community engagement. In recent years, The New York Times has called Cleveland “the best in America” for its virtuosity, elegance of sound, variety of color, and chamber-like musical cohesion.
Founded by Adella Prentiss Hughes, the Orchestra performed its inaugural concert in December 1918. By the middle of the century, decades of growth and sustained support had turned the ensemble into one of the most admired around the world.
The past decade has seen an increasing number of young people attending concerts, bringing fresh attention to The Cleveland Orchestra’s legendary sound and committed programming. More recently, the Orchestra launched several bold digital projects, including the streaming platform Adella.live and its own recording label. Together, they have captured the Orchestra’s unique artistry and the musical achievements of the Welser-Möst and Cleveland Orchestra partnership.
The 2025–26 season marks Franz Welser-Möst’s 24th year as Music Director, a period in which The Cleveland Orchestra has earned unprecedented acclaim around the world, including a series of residencies at the Musikverein in Vienna, the first of its kind by an American orchestra, and a number of celebrated opera presentations.
Since 1918, seven music directors — Nikolai Sokoloff, Artur Rodziński, Erich Leinsdorf, George Szell, Lorin Maazel, Christoph von Dohnányi, and Franz Welser-Möst — have guided and shaped the ensemble’s growth and sound. Through concerts at home and on tour, broadcasts, and a catalog of acclaimed recordings, The Cleveland Orchestra is heard today by a growing group of fans around the world.
Music Director
Franz Welser-Möst has forged one of the most transformative artistic legacies in the history of The Cleveland Orchestra, as its seventh and longest-serving Music Director. Now in his 25th and final season, he has shaped its sound with extraordinary care and imagination, cultivating greater warmth and flexibility, while preserving precision and transparency. Since beginning his tenure in 2002–03, his leadership has characterized a quarter century of artistic excellence, community outreach, and global prominence.
Welser-Möst first appeared with The Cleveland Orchestra as a guest conductor in February 1993 and has returned every season beginning in 1995. By the end of the 2026–27 season, he will have led the Orchestra in more than 1,200 performances in 93 cities spanning 15 US states and 26 countries, including 701 concerts at Severance Music Center. He has appointed 56 of the Orchestra’s 100 current musicians, profoundly shaping its sound for a new generation. Welser-Möst’s tenure ushered in major milestones, from innovative opera stagings to the launch of its streaming platform, Adella.live, and its recording label.
Widely admired for his interpretations of Central European and Russian repertoire, Welser-Möst has also championed living composers, specifically through the Orchestra’s Daniel R. Lewis Composer Fellowship. His artistic partnerships have resulted in dozens of commissions and co-commissions, and at the close of the 2026–27 season, he will have led The Cleveland Orchestra in 27 world premieres and 21 US premieres.
Welser-Möst has made opera an annual tradition at Severance Music Center, culminating in the creation of the Jack, Joseph and Morton Mandel Opera & Humanities Festival in 2023. Acclaimed productions of Dvořák’s Rusalka, Richard Strauss’s Ariadne auf Naxos, Janáček’s The Cunning Little Vixen, and Mozart’s The Magic Flute demonstrated his commitment to large-scale storytelling. In May 2027, Welser-Möst leads a fully staged production of Richard Strauss’s Die Frau ohne Schatten, a fitting capstone to his enduring artistic vision and remarkable legacy with The Cleveland Orchestra.
A defining aspect of Welser-Möst’s Cleveland career has been his work with The Cleveland Orchestra Chorus. He has consistently advocated for the all-volunteer ensemble as an essential artistic partner in performances ranging from symphonic masterworks to staged opera productions. In 2010, Welser-Möst appointed Lisa Wong to work with the Chorus and, in 2018, he named her Director of Choruses. Together, they have elevated the Chorus with performances at home and on the road.
Beyond Cleveland, Welser-Möst maintains a distinguished international career, marked by a longstanding artistic partnership with the Vienna Philharmonic. He regularly leads the ensemble at the Musikverein and on major international tours, and has already conducted the celebrated annual New Year’s concert three times. In 2024, he was named an Honorary Member of the Vienna Philharmonic, one of its highest honors. He is also celebrated for his interpretations of opera, conducting productions which have been widely acclaimed at the Salzburg Festival and the Vienna State Opera.
composer
Mahler confronted life’s fragility in his towering Ninth Symphony, combining fleeting pleasures with fraught anguish. From the stirring opening movement to the achingly tender finale, Music Director Franz Welser-Möst gives voice to Mahler’s poignant farewell to the beauties and woes of the world.
We offer a variety of concessions before the concert, as well as during intermission.
*Donor exclusive lounge areas. Learn more about becoming a donor
Download The Cleveland Orchestra App, and explore upcoming concerts, purchase tickets with seat selection, and manage your tickets digitally. You’ll also get access to performance updates and helpful notifications.
Below is a list of the features and services available at Severance for this concert. You may also request assistance in advance of a concert by calling the Severance Welcome Desk at 216-231-7300 or create a request using the button below.
Jump to: