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Luxembourg: A Musical Melting Pot

On the third stop of the Orchestra’s 23-day tour, they performed in the rich cultural landscape of Luxembourg City.

By Jen Steer

October 6, 2026

exterior of Philharmonie, Luxembourg City

Tucked between Belgium, France, and Germany, Luxembourg has long been a place where cultures meet, languages overlap, and borders feel less like barriers.

The Cleveland Orchestra and Music Director Franz Welser-Möst arrived in Luxembourg City as part of its 2026 European Tour, bringing with it the Cleveland Sound, refined during their historic 25-year partnership.

Joined by soprano Golda Schultz, the ensemble performed Richard Strauss’s Four Last Songs at the Philharmonie Luxembourg. This meditation explores the end of life, a universal theme no matter the language. There is something that feels particularly appropriate about The Cleveland Orchestra, now on its 81st international tour, playing Strauss in Luxembourg.

Music crosses borders effortlessly. A melody does not need a passport. A phrase written in Austria more than a century ago can be interpreted by musicians from Cleveland and a soprano from South Africa, then heard by listeners in a country where French, German, Luxembourgish, and English are all part of daily life.

For the fourth concert of The Cleveland Orchestra’s tour, Luxembourg offered more than a stop along the tour route. It’s a musical crossroads.